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He had planned it perfectly,
arriving on tired horses on a cloudy, moonless night so his son would not yet
be able to lay eyes upon the greatest wonder of the realm. Oh, it had been there, a void looming in the
darkness; they could feel its presence. The
boy had wanted to go to the spire then, but the stonecutter had hurried him
toward the stables. The lamp lit inn sat
by the side of the flagstoned trade road that ran between the great cities of
the inland sea to the east and Vimar Keep to the west.
The
night in one of the inn’s tiny rooms had been more restful than any he had
known for years, even those nights spent exhausted from hard labor in the
mines. The magic of the spire cradled
them and gave them soft and pleasing dreams.
It
was a harsh life cutting blocks of marble from the quarry. The stonecutter had endured by holding
tightly to the dream of bringing his son to see the Peace Spire. A week before his son’s twelfth name day--a
week before the boy must himself begin laboring in the quarry--the king’s man
had agreed to give the stonecutter that week for himself. He had wasted no time, renting a pair of
brown nags and setting off the same day so that they could reach the spire and
still have time to return by week’s end.
This
morning the boy had wanted to rush straight out to see the spire, but the
stonecutter had forced him to sit at one of the trestle tables in the large
common room and eat a hearty breakfast.
He wanted to give the sun time to crest the enormous wall of mountains
to the east. The first view of the spire should come in sunlight, he thought.
Now
the stonecutter paused just outside the door of the inn, savoring the
moment. A frost-rimed path led around
the side of the inn toward the ancient monument. He looked at his son, seeing the excitement
plain on the boy’s face. The boy smiled,
and the stonecutter, normally taciturn, could not help but grin.
He
nodded his head and said, “Come.”
They
rounded the corner and the stonecutter saw that many other pilgrims were
already swarming about the base of the spire.
He heard his son gasp.
The
stonecutter had not seen the spire for nearly twenty years. As he drew his eyes up the length of the
spire, he snapped his hand to his mouth to stifle his own gasp. He had expected beauty, but he was unprepared
for what he now saw. The height of the
spire, its red granite rising up and up
seemingly to touch the sky, did not surprise him. Neither did the enormous teardrop crystal at
its tip. It was the dazzling shimmer of
colors that stole his breath. The sky
was cloudless and the sun striking the crystal caused a burst of rainbow colors
to dance in the biting air above the snow covered fields.
“Father,”
whispered the boy.
“Yes,”
he answered. He knew he was grinning
like a fool but he didn’t care.
“I
want to go closer.”
With
his heart thudding in his chest, the stonecutter felt the power of the spire
surge through his blood like a raging torrent, filling him with energy and
strength, and the confidence that he could accomplish anything he desired. He had felt it all his life, but it was never
so overwhelming as now, so close to the source.
The
boy had set off down the path and was even now crossing the small arching
bridge over the stream that flowed behind the inn. The stonecutter hurried to catch up. He took a deep breath and smelled the
sweetness of grass and rich earth. His
knees often pained him these past few years, but the energy from the spire
filled him to overflowing so that he leapt over the bridge in two quick hops.
“Do
you feel it?” he called to his son.
The
boy laughed aloud. “I could push a
marble block all on my own, Father.”
They
passed other pilgrims, some of them laughing and others gazing openmouthed into the sky.
As
they drew close to the monument, the stonecutter grew even more excited. “Look, Son.
This is what I wanted to show you.”
The
base of the spire was a wide slab of carved red granite perhaps fifty paces
across. Its sides were covered with
intricately carved bas-relief scenes from the lives of a myriad tiny
figures. The stonecutter stepped close
and ran a hand over a picture showing stocky bearded figures wielding picks and
awls within a mine.
“Dwarves.”
“And
these are elves here, Father! They look
so real. How could they carve in such
detail?”
The
stonecutter wished he knew. He had cut
stone all his life, yet he could never mimic the delicate strength of these
carvings. Tracing a finger down the
trunk of a tree in a forest scene, he marveled at the fantastic skill of some
ancient master who had managed to turn stone into thousands of perfect leaves. He took a deep breath, filling his lungs with
the smell of cold stone.
“Look
up there,” said the stonecutter, pointing.
The
spire’s presence was intimidating when viewed so close. It towered into the sky, and the stonecutter
felt his neck creak from staring up the dizzying length of red stone. Large runes were etched into the mica-flecked
granite, each rune lined with silver that somehow never tarnished.
“What
do they say, Father?”
“You
know the story, my Son. It was always
your favorite.”
“Tell
it again. It’s different hearing it
here.”
The
shimmering colors in the sky were hurting the stonecutter’s eyes, so he dropped
his gaze back to the carvings.
“What
do you see in these?” he said.
The
boy pursed his lips and examined the rounded base of the monument. “They are beautiful beyond anything I have
seen.”
“They
show scenes of peace,” said the stonecutter.
“You won’t find war in any of these pictures.”
The
boy nodded and said, “Here, let’s sit, Father, while you tell me the story.”
The
stonecutter joined his son on a length of smooth gray stone set back about ten
paces from the base of the spire. More
such benches surrounded the monument, most of them occupied by other pilgrims. The stonecutter tugged at his beard, trying to
figure out the best place to begin.
After
some minutes he asked, “Do you remember when man arrived in these lands?”
His
son nodded. “Arrival Day is now four
hundred and thirty seven years past. The
great King Aronis led our people through the great pass where East Gate now
stands.”
“Yes,”
said the stonecutter, “though it was the wizards who showed us this realm,
where we could not easily be attacked and where the Peace Spire had already
stood for more than five thousand years.”
“Twas
the elves and dwarves who built it,” the boy exclaimed.
The
stonecutter chuckled. “I thought you
wanted me to tell it?”
The
boy nodded and waved a hand impatiently for his father to continue.
The
stonecutter combed his fingers through his graying brown beard. “Long and long ago there was a terrible war
between the two races that dwelt in these lands. They were deceived, drawn into war by the
wizard Bilach, whose lust for power had caused him to turn to evil, though his
fellow wizards knew it not at that time.
The dwarves marched on the forest of Laithtaris with fire and axe, and
the arrows of the elves turned the sky dark at midday. With both sides terribly bloodied, Bilach
struck them with his own army, secretly gathered from among the orc tribes that
infested the mountains. The elves and
dwarves had no choice but to put aside their grievances and unite against
Bilach. Victory seemed assured for the
hosts of evil; their numbers seemed endless.
Yet the allies defended stubbornly and at last Bilach’s forces broke and
fled back to their reeking caverns. The
allies were too exhausted and heartbroken to rejoice. Then it was that the remaining wizards
brought the elf queen and the dwarf king to council and told them that they
should together construct a monument to peace so that they might put aside
their grudges.”
The
stonecutter pointed at the flat land around the spire. “This place they chose because it lies midway
between the capitals of the two races. The
wizards asked...”
“Father! What’s wrong?”
“In
the sky there,” said the stonecutter, pointing to the northeast. “I thought it was an eagle, but it seems too
large now.”
He
stood up from the stone bench and his son stood with him. Whatever it was, it was blacker than
night. It looked like spilt lamp oil slowly
spreading, until it drew close enough that the stonecutter could see vast
bat-like wings, though no bat could ever grow so large.
A
man shouted, “Dragon!”
“It
can’t be,” said the stonecutter.
“There’s
no such thing as dragons,” said the boy, his voice breaking. “You always said so.”
Screams
broke out all around and people began to run toward the inn.
“They
are just legends,” said the stonecutter.
He shook his head at the impossible sight. The inky stain became the unmistakable form
of an enormous jet-black dragon. It
seemed to hover motionless on its outstretched wings even as it loomed larger.
“No
such thing,” said the boy, panic clear in his voice.
“Run,
my Son,” whispered the stonecutter. He
reached out his hands and shoved at the boy, though he could not take his eyes
from the dragon. The monster wriggled
sinuously and then folded its wings and plunged like a dart toward the crystal
atop the spire.
“Father!”
screamed the boy. He had begun to run
but then turned back when he saw his father had not joined him.
As
the dragon neared the tip of the spire, it again spread its wings and pulled
out of its dive. It seemed to the
stonecutter that the beast dropped something, though at this distance he could
not tell for sure.
Then
the world seemed to explode.
The
stonecutter spat dirt from his mouth and pushed himself up from the rumbling ground,
shaking his head to try to clear it. A
high whine was the only sound in his deafened ears. My Son,
he thought, and he frantically searched the ground around him. He saw the boy lying unconscious about ten
paces away, so he scrambled to his feet.
Dizziness nearly overwhelmed him as he weaved toward his son. Something hard struck his shoulder and
knocked him back to the ground. He
clawed over the hard ground, trying desperately to reach the boy. A large chunk of rock shattered his leg.
In
terrible pain, the stonecutter reached out, grabbed his son’s foot, and used it
to pull himself closer. A head-sized
piece of granite smashed into the ground two paces away, and tiny fragments
stung the stonecutter’s forehead. He
turned himself onto his back to stare at the sky. A dark cloud hung in the air where the top of
the spire had once been. More debris
rained down all around.
Out
of the corner of his eye, the stonecutter saw the dragon banking around in a
lazy arc. He ignored the beast and
watched as the spire, which even strong winds had never been able to move,
swayed slowly back and forth. Cracks ran
through the red granite near the base.
Though he still could not hear, the stonecutter felt the ground thrum as
the spire snapped and began to topple.
Tears
mingling with the blood flowing down his cheeks, the stonecutter pushed himself
over and lay his body atop his son’s, as if he could protect the boy from the
collapsing tower with his love.
He couldn’t hear his own voice as he whispered his last words into the boy’s ear: “I’m so sorry, Son.”
He couldn’t hear his own voice as he whispered his last words into the boy’s ear: “I’m so sorry, Son.”
It's good, but if you are querying it's best not to submit it. Prologue's are considered a no-no although I've read some really good ones.
ReplyDeleteIt's something I do keep in mind. I decided to send my prologue for The Shard the first few queries I sent out, and that didn't seem to hurt me. I got a few requests, though I later decided I wanted to revise the book more.
ReplyDeletePrologues are wonderful in fantasy books. If you don't get picked up by an agent for querying this, it's because they are stuck up and snooty and you're a nobody and they want fame to drive sales. But it won't be because of your writing. This is fabulous.
ReplyDeleteI love the emotion you put into this piece. I love the connection and love between father and son. But I don't like how you end it. I hate it when kids are killed or hurt and this is a real turn off despite the great writing. That's just a pet peeve with me. I love kids and want them to be plump and happy. But if you kill this kid off after introducing him to me, I'll hate you as a writer.
It's one reason I cannot stand to watch the movie The Mist and the movie Master and Commander. In the Mist, a father murders his son. Such bullshit...I was livid and will never watch that slew of crap again. In Master and Commander, a young boy gets his arm chopped off. Again...bullshit. If you're going to harm kids, that's just something I don't like. However, you can kill all the adults that you want to. Or...you can kill kids...just don't build an emotional connection to one. I'd be kosher with that.
I think it definitely works as a prologue--it is a long time before the action of the book, yes? Or you COULD have the boy (or the father) writing things down as they observe and have someone in the first scene or early on FIND the written version of the tale... or a wizard see it in a crystal ball or something. But I agree that in fantasy, the backstory can be nicely told via prologue.
ReplyDelete